Category: "Ivy Hollow, RFD Post Office - HBS Creatin' Contest 2019"

Sue Bakker - Birds on a Branch, 14.5 hours

by brae  

Update on the Birds on a Branch rug. After the last update, I lost a bit of motivation after deciding I didn't like the diagonal striped border. The knots were not lining up well, and it was becoming a jumbled mess the more I added. Here is what it looked like last.

I had two choices - remove the knots in the border or start over. At 11 hours of work, it wasn't a terrible thing to restart, but I decided to try removing the knots.

You can't just rip stitches when every stitch is a knot, because it will destroy the fabric. Instead, I took a fresh X-Acto blade, wiped it completely clean and slid the edge under the heads of the knots on the front side. This is as scary as it sounds. Nothing to lose if it didn't work, though, since I wasn't going to continue with what I had.

It did work, though. I used packing tape to lift the threads and fuzz left from cutting away the knots. There were three places in the fabric where there was some minor damage - not true holes but very thin remaining fabric.

I ironed on some fusible interfacing to patch those holes. It's very thin material, so it wouldn't build up any bulk while still providing more substance for the stitches to grab onto.

I opted for a solid border, which I already like better. I might make it wider later on. The diagonal striped border would have been nice, but it was too hard to manage with freehand knots in such a small area. A vertical striped border would have been too geometric with the organic bird and branch patterns of the interior.

I didn't count the time of the knot removal and redo, but I was able to stitch more after that was done. So, this is now at 14.5 hours of work.

Mail Wagon - part 9

by brae  

Continuing work on the mail wagon. I'm planning a basic box cabin with trimmed details, a hinged front window, and sliding side doors. I'm using 3/64" thick basswood sheets (3" x 24") for the majority of the parts. It's thinner than 1/16" and therefore lighter in weight but still durable when trimmed.

I started by drawing a quick sketch using the Rondel kit sides as a starting point, then refining from there based on measurements for average seat height, the seated height of my artist model and general proportions from the various mail wagon examples I've reviewed.

The two doors are where I will begin, then I can build the walls to enclose around them. If these don't work, then my basic construction will change since I'll make hinged doors instead. I'm using door frames from Northeastern Scale Lumber, cutting them down width-wise. I am sure there must be a place to get the window channel that Houseworks uses to make their windows, but I have yet to discover it.

The door frame material holds the 3/64" thick basswood perfectly as an insert, and 3/64" thick trim finishes the frame. The top will have acrylic sheet for the window. As I was working, I decided to make my door a little wider than my drawing for practicality. This will add a modest amount to the length of the wagon, but it seemed necessary for better proportion. Here is one door with the original width of door frame material on the side and the other with the width cut down.

I built the side front and side back walls using the door frame material for the lead edge of the door openings as well as the tops and bottoms, cut down to size width-wise. I used 1/4" corner trim for the front and back edges to make it easier to join the front and back of the cabin when I get to that stage.

Most of the examples I saw had no side windows, sometimes small slits to peer through, so I've left the side walls solid to have more room for the lettering. The cross trim on the side front and side back panels isn't glued in place yet, since I want it to line up with the door in the end. Leaving it unattached allows for adjustment later.

Each door will slide to the back just short of its door handle.

I think this will work well, so next I will make the front, back and floor.

Mail Wagon - part 8

by brae  

With the front and rear axle assemblies and wheels made, I can start to build the cabin. I've pretty much been researching mail wagons since I started down this path, and there was no standard type of wagon over the years. RFD was such a novel thing, though horse wagons were not, it really was each man for himself. So, I get a lot of room to play.

There were sliding doors and front windows that could be lowered into the front wall.

image from The Smithsonian

There were hinged doors.

There were hinged windows and mail slots.

If you look at the original wagons from the postcard, there was no room in front - just the window wall.

Postcard from 1917 showing RFD horse wagons - image used with permission

There were built in heaters and portable heaters.

image from The Henry Ford

One great source is Horse Drawn Mail Vehicles by James H. Bruns.

Look at this tiny thing that's barely a box built around a chair and a heater! Where did the mail fit? I'm also pretty sure only one horse was needed. :]

from Horse Drawn Mail Vehicles by James H. Bruns

I set up my wheels and axles with Jebediah and one of my artist models. I can probably back Jebediah to the wagon a bit more, but this total span is 17 inches from his nose to the back of the wheels.

The span from the axle centers is 5.5 inches. Having a very narrow space between the wheels for the mail carrier to enter the wagon was not uncommon.

I won't be using the Rondel kit, but here is that cabin in dry fit for size comparison (obviously not this tall).

This should be a good gauge for overall size, though.

I'll need to make the cabin as light as possible since the axles are fairly delicate, but I can layer thin wood to get good detailing without adding a lot of weight.

Ivy Hollow - screen door, part 7

by brae  

Continuing work on the screen door.  My base wall with siding gives me a wall 3/8" thick, so I need to pad the interior wall further. Being that this is an angled wall, it's not as simple as it would have been on a straight wall. I have some ideas on disguising the added wall thickness modification, but more on that to come later when I glue the structure together.

I painted the frame Woodland Green to match the doors, and the threshold is stained using Bittersweet Chocolate mixed with Staining Medium by Americana. I'll do more for the threshold once I get the porch and interior floor completed, but I wanted some color on it while finishing the doors.

I installed working Pennsylvania strap hinges by Olde Mountain Miniatures for the screen door.

I replaced the nails from the package with tiny threaded brads by Classics.

The hinges might be a bit heavy for a screen door, but the more modern ones just didn't look right for shape or finish. Perhaps these were reused from a broken down shed in the area. The hinges have brass pins, which I touched up with black paint once installed.

For the handles, I used window pulls by Classics, making sure to install them higher than the door knob of the solid door. Though they started as gunmetal, I painted them flat black with a satin finish. The front one has the tiny brads, but I faked the nails on the interior with glue and paint. My door wasn't thick enough to have back-to-back nails.

I tried to research the history of screen door hardware, but I ran into a lot of sites selling refurbished or reproduction hardware without much commentary on what was used when. The most interesting pieces were the antique spring-loaded hinges in some beautiful designs. I'm going with what I remember from my childhood farm memories - a spring and hook latch. :]

The hook latch and eyelets come from The Ironworks.

Bill sent me length of thin spring awhile back, and I put it in the bits-n-bobs box for a time such as this. I opted not to install this so that opening the screen door will actually pull the spring for two reasons. The spring is likely to stretch out of shape over time, but more to the point, the spring has a tension force greater than the strength of tiny eyelets and some glue. boioioioing!

So, we fake it! I'm actually doing a mix of a typical screen door spring and storm door stop chain. This is probably more modern, but it will add visual interest overall. I cut down the spring and used an X-Acto blade to force the end rings open to make eyelets at each end. I threaded one spring end onto one of the laser cut eyelets.

I made another eyelet at the end of a length of thin black wire, determined where the chain would connect to the door frame, drilled a hole and inserted the wire through. The length gives some added durability just in case the chain gets pulled too hard. I cut a channel for the wire and taped it in place.

The chain hooks into this eyelet as well as one end ring of the spring.

I glued the eyelet into the screen door, being careful not to drill through to the front side.

I love the way it looks, just visible through the screen. :] It will be more prominent when the solid door is open.

And, finally the hook and latch. This also has a handmade eyelet on the door with the laser cut hook and eye. This is not easy to hook, mainly for having to use tweezers to do so, but even a hook latch hanging loose adds some realism.

I'm leaving off the solid door hardware until I'm ready to install the door. So, that was my productive weekend. :D

Sneak peek on the door

by brae  

I worked hard on the doors all weekend but was too bushed at the end of the day to make a blog post. That's in the works, but here is a sneak peek on the door hardware.

Lots of swearing involved getting this door stop made and installed. :D

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