Most images in this post can be clicked to view larger.  To see a list of posts showing details on how I made things or what materials I used, click this link.  For the story on winning the top prize in the 2010 Greenleaf Spring Fling Contest, click here.

Baslow Ranch is my first completed dollhouse.  The overall feel I went for with this project was that of a late 1880s building that had been updated over time with electricity and other "modern" features of the passing times.  It now sits as an open air, living museum to remind us how people lived and worked.  I relied heavily on my trip to Bodie, CA - an open ghost town where you can walk around and explore - as well as other living museums I have visited.

I've named the Spring Fling structure Baslow Ranch, established in 1888.  The name is in honor of several of my recent pets: Basil (pronounced bazzill), my beloved cat who passed away in September 2009; Clover, a sleek and beautiful Chinese dwarf hamster; and Willow, a Russian dwarf hamster who went through a lot in his long life and held on tenaciously until the very end.  You can see the memorial post here.

There is an attic space, a room for rent and a barn.  I tried to make as much as possible for this project, not only to stay on budget but to see what I could accomplish on my own.  The things I didn't make include: lights, buckets, barrels, as well as the glass, ceramic and metal minis.  Of the minis I bought, however, I still changed most in some way by either painting or weathering or both.

The room for rent has the basic comforts.  The wallpaper is scrapbook paper called Simple Stripes/Grandma's Kitchen by We R Memory Keepers.  It's fantastic since it already has that worn and aged look printed in the design.

I used the base kit for the contest and the optional side room with the first dry fit on March 26, 2010.  This was my first time working with a Greenleaf kit.  The 1/8" plywood walls gave me some fits with the warping, but the laser cut pieces were great to work with.  Overall, I loved this kit!

The backdrop I used in some of the shots is a photograph I took in Bodie, CA.  This was a great place to visit - a bit of a chore to get there but more than worth the effort (bring a hat and sunscreen!).  I took over a hundred photos walking around this open museum ghost town.

Attached to the main barn is a room for rent.

Both the sign above the barn doors and this one were created in Word and printed on paper.  I glued the paper to a wood backing and aged with paint washes.

The windows, door and trims were first aged by beating, cutting and otherwise marring the finish and applying a wash of brown and black paint.  I applied Crackle Medium by Folk Art and then painted Sunflower yellow by Folk Art.

I made the stove from a Chrysnbon plastic kit.  I found this kit to be both realistic and very easy to assemble.  Although the kit came in plastic molded in the proper color, I still sprayed all of the pieces with Testors flat black.  I also sprayed the chrome pieces since I wanted this to look like an old stove without any fancy accents.  I added a red bulb to simulate warm coals.

To achieve the aged look, I dabbed on Mushroom acrylic paint by Folk Art and a paint by Testors appropriately called Rust.  :D

I painted the wires black and glued them to the inside of one of the back legs before feeding them through the floor.  I used an X-Acto knife to shave dust from a black conte crayon and used a dry brush to dirty the wall and ceiling around the stove.

The lower interior window is removable so I can have the window partially open or closed completely.  To age the glass (acrylic), I brushed on some Gloss Varnish by Delta Ceramcoat and then wiped away the excess.  It took a few turns of this process to get a realistic look.  The rolling shade is made from a scrap of fabric glued around a wooden dowel.

When the backdrop is in place, it really feels like you're standing in a real life room.  :D

The dresser with the mirror was made from a pattern in Thirties & Forties Miniatures in 1:12 Scale by Jane Harrop.  This project was labeled advanced, and though it was a real bear cutting all the pieces precisely, I love the way it turned out.  I stained all of the pieces with IKEA antique pine stain before assembly and then aged it with Antiquing Medium by Folk Art after it was built.

The mirror is made from plastic mirror sheet by Darice.  This material was great to work with.  The finish was pristine when I pulled it from the package, so I had to beat it up a bit for it to blend with the old dresser.  I used an X-Acto knife to scrape some of the backing away.  This created spots in the reflection.  Using the same process as I had for the windows, I brushed on some Gloss Varnish by Delta Ceramcoat and then wiped away the excess.  I painted the wood backer black as well.  Now it looks like an old weathered mirror.

The apothecary items were made from a glass bottle and an unpainted metal miniature.  I used brown paint to dirty the glass and painted the metal bottle with acrylics.  I then glued on tiny antique medicine labels I found online.  I crinkled the label on the metal bottle before gluing it since the bottle itself seemed a bit beat up.  The razor and shaving mug were unpainted metal minis that I detailed.  The shelf was made using pieces from my scrap wood bag as well as two leftover fretwork pieces from the Newport stairs.

I'm a big fan of hidden elements, so while I didn't make any actual miniature clothing, I did place some folded fabric scraps in the drawers.  :D

The horse painting is Horse with Wagon at Hitching Post by Edward Lamson Henry.  I sharpened the image a bit and then printed it on Art Canvas, a specialty paper by The Crafty PC (see my previous blog entry).  I made the frame from strip wood.  There's no particular significance to the painting - I just liked it.  :]

Attic access is simulated with a faux trap door (I used the tutorial on the Greenleaf site).  I used a brown paint wash to create water stains on the ceiling and trailed an X-Acto knife from the corners of the attic door to create cracks.  I painted over the brass handle in the process.  If you've ever seen an old house, you know painting over hardware was a common practice.  :]

The washboard was made from a pattern in Thirties & Forties Miniatures in 1:12 Scale by Jane Harrop.  The parts are all fixed in place, but I love this piece.  It turned out better than I had hoped.  The metal is the same material I used for the roof, run through a Fiskars crimper.

The bed was made from a House of Miniatures single low post bed kit.  I left off the fancy post tops for a more rustic look.  The mini bedside table is also from a House of Miniatures kit, from a set of two side tables.  I stained both with IKEA antique pine stain and then weathered with Antiquing Medium by Folk Art and a slight wash of black and brown paint.

The mattress was made from fabric that had an old, stained look to it, stuffed with four layers of a felt-like batting and quilted.  I love the way the bed looks with the ropes exposed, but I wanted the option to show it either empty or fully dressed.

There are a few artisan-made knives with leather sheaths on the market, but I decided to give it a try myself.  I started out with a kitchen knife with a red handle.  I painted the handle black and then made a sheath with a belt loop out of scrapbook paper called Buckskin Brown by The Paper Company.  I used a bit of black paint to age the paper once the glue was dry.  The blanket is a folded piece of felt pressed into shape with an iron.

A couple of more personal details I included are the photographs of my own ancestors.  The young woman on the mirror is my great grandmother Mary Jane Bartlett (nee Watson) in her graduation photo.  She was born in 1900 and passed away in 2005 just shy of her 105th birthday.  She was young at heart and lived on her own until a few months before she passed.  She wasn't even hard of hearing; she cooked her own meals and cleaned her own home.  She was a remarkable woman with a terrific laugh, and I am lucky to have known her well into my adult life.

The second photo is that of her grandparents: Augustus Samuel Watson (1827-1901) and Mary Jane Cameron (1827-1900).  That would make them my great, great, great grandparents.

A close up of the sign and light over the barn doors.

The doors and windows provided with the original kit offered some nice details but I wanted to go a step further.  I found an image of a fraternity house in the ghost town of Elkhorn, Montana that had some very nice lines on the front.  I used cardboard and a large circle punch to create similar arches and cut strip wood to complement the design.  I used the punch to create the sign, too.

The siding application and finishing was quite a process, and I have a detailed post on that here.

I flipped the direction of the Houseworks door so it would open in to the left.

The feed and flour sacks have my own custom made designs printed on fabric.  The horse and cow are rubber stamp images I found online; the sunflower is clipart.  I designed the text and layout in Word.  Since water will ruin the printed images, I first ran the fabric through the printer using a tea-stain color.  I then printed my images on that darkened and aged background.  I left the bottom half of the fabric sheet plain so I would have excess for the backs.

I filled the bags with seed beads to make them easier to position.  I have no idea if these are historically accurate, but I just love the way they look!  I also love the knot in the plank - I just had to use that piece when I found it.

I made a ladder based on a pattern from Making Miniature Gardens by Freida Gray.

I used a scratch built board latch on the inside of the main door; the small metal latch I had used on the side door wasn't substantial enough.

The crates are made from strip wood and skinny sticks, aged with a black and brown paint wash.  I found these vintage labels online and printed them on parchment paper.  They, too, have a light wash of black and brown paint to age the paper.  I had planned to make more of these, but with all of the other things in the barn, I didn't need a lot.  The Blue Goose image is from thelabelman.com; I don't recall where I got the other.

Most of the metal tools and accessories were made from unpainted pewter miniatures.  I first sprayed them with a coat of Testors flat black and then used regular acrylics to detail them.

To hang the tools along the beam, I found something I never knew existed.  I was looking for scale railroad spikes on the internet and found these Mini RR Spikes for 5th String Capo meant for banjos.  Who knew?!

I'm not sure if they are exact to scale, but they work wonderfully and don't look out of place.  I drilled pilot holes into the beam and then pressed the spikes in place.  They worked perfectly for holding tools on the wall.  The rolled up fencing is actually a piece of flat metal mesh called Hannah's Helper scour screen that I found in the cleaning aisle of Jewel.  I painted it brown, cut it in half and tied the rolls with leftover rope from the bed kit.

My wagon was adapted from a covered wagon kit by Allwood (made in the 70s, I think).  I changed it from a covered wagon to a farm wagon since the kit was 1:16 scale and, as a covered wagon, it would have been a bit small in relation to the barn.  Here's the box image.

The kit was partially assembled when I bought it.  Three of the four wheels were already done as well as the main body.  The faux wood trim didn't look right (think wood paneling on an old station wagon), so I ended up taking the body apart altogether and cut new pieces from a scrap of plywood I already had.  This allowed me to score the inner and outer surfaces of the pieces to mimic wood planks.

It's a good thing this was meant to be a rickety ol' wagon, because the wheels are nowhere near straight.  Three of the four wheels were assembled by the previous owner, but I my fourth wheel wasn't much better.  :D  The chassis and basic structure are solid, though.

It ended up fitting perfectly in the barn space.

I made the stool using a pattern in the book Finishing Touchesby  Jane Harrop.

It, too, was aged with the black and brown paint wash.

The wagon has a removable tongue, too, though it makes the wagon too long to park inside the barn with the doors closed.

I added a removable back wall with siding identical to the other interor walls.  This makes for a realistic backdrop when viewing the wagon through the open barn doors.

I used working hinges for the barn doors, dabbing black paint to cover the brass nails.  I also used black paint to color in the orig